A Curious Case

I don’t think it’s going out on a limb to say that people are annoyed when protagonists, despite having the same information, fail to understand things that are obvious to readers. However, there’s a seeming exception to this that I’ve encountered frequently.

Protagonist: Gosh, Doc, I feel like I’m going crazy here. There’s this nice, attractive person with whom I’ve spent a lot of time lately, and now everybody is giving us knowing looks and making veiled comments and stuff. What could possibly cause them to do this?

Fictional Psychologist: Do you think they assume you and that nice, attractive person are romantically –


Fictional Psychologist: Do you see the two of you as –

Protagonist: Absolutely not. There is no way that could possibly be the case. Maybe you should see a Fictional Psychologist, you crazy person.

Fictional Psychologist: Is there a reason you feel so –


Fictional Psychologist: You don’t think that’s a little –

Protagonist: I’M LEAVING NOW.

I feel like I see this all the time, sometimes in awesome books, sometimes . . . less awesome.

Done carelessly, it can be ridiculous, but there are actual reasons to make your protagonist a little dense about these things. Many people can identify (up to a point) with someone who feels lost and confused when it comes to love, especially if the character is inexperienced with romance. You can also risk making your protagonist seem big-headed if s/he guesses too easily that s/he might be the object of someone’s affections. Then, there’s the fact that many stories require the protagonist and her/his romantic interest to hold off on their *gasp* WE ARE IN LOVE moment until the end.

When this doesn’t work, it’s often because the author seems not to have considered the protagonist’s personality when inserting this little blind spot. If a person has no serious self-esteem issues, and particularly if s/he has been in a romantic relationship before, the idea that another person finds her/him attractive should not be a huge shocker. Indeed, it may be that s/he should really catch on earlier rather than later, and that if you want to avert this, you’ll have to find another way to do it.

Be especially careful with excess modesty in more general areas. If a character believes s/he is not good-looking/smart/talented/capable, but actually distinctly is good-looking/smart/talented/capable/ESPECIALLY GOOD-LOOKING, proceed with caution. Yes, lots of people are modest. On some level, though, if they don’t have self-esteem problems, smart people know they are smart, and pretty people know they are pretty. There are exceptions, but think about it: if you’re truly beautiful, life tells you that. Same with intelligence. Refusing to believe it without good reason makes a character sound less modest and more like that skinny friend who whines about being so fat, or that straight-As top-of-the-class friend who is always sure that this test will come back with an F. You probably don’t want your protagonist to seem to be fishing for compliments.

It all comes down to that oh-so-common dilemna of how to do the things that you need for the plot in a way that works for the story.

And now, for something completely different: stop words!

4 thoughts on “A Curious Case

  • I actually just wrote this character. I might need to tone him down. His excuse is that his new girlfriend was always showing obvious (but superficial) interest in other guys, so it didn’t dawn on him that her decision to nevertheless spend all her time with him might mean something. Also he’s not used to interacting with girls of his own age and this is his first relationship. But I have wondered if he should really be so dense as I’m portraying him….

  • You are so right!
    One important factor is whether Person A is interested in Person B. Having a crush on someone makes you very alert to any signs of attention from them. That’s why I find it annoying if A secretly likes B, and B shows all these positive signs of interest, and A acts like those signs are not even happening.
    But if A isn’t interested in B, then it’s more realistic for B’s signals to fly over A’s head. When you’re not interested in someone, you’re just not thinking on that wavelength.

    Another confounding factor could be if A and B have some other kind of relationship–they’re coworkers or teammates, or one’s tutoring the other, or one is going out with the other’s friend. Then A may keep asking him or herself, “Is B really interested, or are we spending so much time together just because of the job/ the team/ etc.”

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